Portable Bluetooth Speakers

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Paving stones: DIY a paver patio in 6 easy steps


Paving stones: DIY a paver patio in 6 easy steps

Paving stones are a powerful tool you can use to create unique and beautiful areas in your home's outdoor spaces. Available in a wide variety of shapes, sizes and materials, they're a relatively simple way to add extra style to your front or back yard.  

For instance, paving stones are great for sprucing up patios, walkways and firepit areas. They offer a good range of design aesthetics, too. Are you partial to natural stones? Perhaps you prefer uniform patio stones? Maybe traditional cobblestones or shaped concrete blocks are more your speed. Whatever direction you go, there are pavers available for creating pathways, patios, borders and even driveways. 

If you're considering a paving-stone project like that, then you've come to the right place. This guide lays out what you need to know to use pavers well. We'll also provide guidance about how to select the right ones and we'll give pointers on how to install your paving stones properly, too. Do it right and your designs will last for years to come.

Some types of paving stones can be used to create striking driveways.

Belgard

Paving stone materials

The first phase of your project is to decide the look and feel of the stone you'd like to use. Paving stones come in three main material types: natural stone, concrete and brick. Keep in mind that the thickness of the stone and its material composition contribute to its overall strength. This variation means that some types of paving stones are better suited than others for certain purposes. 

For instance, most pavers are strong enough for basic use, say in a garden or for a patio with regular foot traffic. However, pavers that are used to build a driveway must be able to withstand the weight of vehicles -- you'll need to make sure to select stones that are specifically designed and graded accordingly. Most home improvement stores such as Lowe's and Home Depot specifically list whether a type of paving stone they sell is up to this task.

No matter how simple or elaborate your paving-stone project is, having a plan always helps.

Construction Photography/Avalon/Getty Images

Step 1: Make your project map

Creating a clear depiction of the scale of your plan is a must. Start by marking the edges of your project with string, a paint line or another outlining method. Next measure the length and width of these edges. Multiplying these measurements will give you the total area you'll need to cover. From that you can determine the number of paving stones your project calls for, depending on their size.

Step 2: Create a solid base

You might get away with dropping patio stones down into an existing landscape without digging up any soil. Your best bet, though, is to excavate the target area first, then fill it with a base material. Commonly used items include crushed concrete, crushed shell or limestone. These substances will ensure that the stones sit level. 

You don't need to dig too deep. Digging and removing a few inches of earth is often all that's required. The goal is to unearth roots or other items that would have otherwise made your pavers settle unevenly over time. 

If you do plan on a deeper excavation, it's a good idea to check with your local utilities first. The last thing you want is to hit a buried gas or electrical line by accident. 

Once excavation is complete, you can start laying down a thin layer of your base material.

Step 3: Even out your surface

To avoid any stones sitting or settling higher than others, you'll need to even out your base layer. A tamper tool comes in handy for small areas. Larger projects such as driveways may require you to use a plate compactor.  

Also, consider that in some cases you might want to add a gentle slope to your patio to provide drainage away from your home and avoid the pooling of rain water.

Step 4: Put down your pavers

After you've covered your project area with base material, it's time to deploy your paving stones. Drop them as close together as possible. Keep in mind that you may need to trim a few stones if they don't fit exactly to your plan. 

If you just need to trim a few oddly fitting stones, you can use a hammer and chisel. Any more than that and you'll have to rely on a specialized saw or other power tool. 

Step 5: Consider restraining edges

For patios and larger installations, a concrete restraining edge, aka an edge restraint, might be necessary. It acts as a barrier and prevents the pavers from moving as the earth settles over time. There are also special pavers that serve as edging stones. As an alternative, you can buy hard plastic edging pieces that can hold your patio stones in place. Those will also help to keep out weeds and grass.

Step 6: Seal to preserve

As a final step, think about adding a sealer to your paving stones. Doing so will create a weather barrier and help preserve the finish of your patio, walkway or driveway. A sealer can also help to guard against color loss from exposure to the sun. 

Acrylic- and water-based sealers are available in a variety of gloss levels. Be sure to follow the directions on your sealer packaging carefully to ensure that it adheres properly.


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Fortnite Developer Epic Games Acquires Bandcamp


Fortnite Developer Epic Games Acquires Bandcamp

Epic Games, creator of the popular online battle royale game Fornite and the Unreal Engine software, has announced it's acquired online music company Bandcamp. The move shows that Epic has a stronger focus on attaining music content, with Bandcamp offering a large audience and market for independent music artists.

Bandcamp co-founder and CEO Ethan Diamond will continue to work at the company, which will operate as normal but will now move toward a more international focus, Diamond said in a statement.

"Behind the scenes we're working with Epic to expand internationally and push development forward across Bandcamp, from basics like our album pages, mobile apps, merch tools, payment system, and search and discovery features, to newer initiatives like our vinyl pressing and live streaming services," Diamond said.

In late 2021, Epic Games acquired music gaming developer Harmonix, the creators of both the Guitar Hero and Rock Band franchises. Harmonix is currently working with Epic Games on music experiences for Fortnite, much like the popular Travis Scott concert and the Soundwave series event. These music focused concerts and experiences will play a greater part in the developer setting the stage for its metaverse plans in the future.

It remains to be seen, though, whether this latest acquisition is another play for music content to fuel metaverse ambitions, or how the move will change Bandcamp down the road. But with previous additions to the Epic Games portfolio, and live events with popular artists happening in Fortnite more often, it's fair to say that the creators of the world's most popular online game see music content as a key area for the future of the company.


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Upgrade to Apple's Latest 10.2-Inch iPad and Save $50 Right Now


Upgrade to Apple's Latest 10.2-Inch iPad and Save $50 Right Now

The latest ninth-gen iPad is a solid iPad options out there if you're looking for a portable tablet that can help you be productive on the go (or from your comfortable couch). Whether you want to work, play, stay connected, create, explore or stream entertainment online, it will be easy to do with the iPad's upgraded CPU and Neural Engine, which offer a faster and more powerful performance compared to previous models. 

Right now you can save $50 on 2021 iPad (64GB) with Wi-Fi on Amazon, bringing the price to just $280. Note you only save that much on the space gray model, not the silver one.

Apple's 10.2-inch tablet comes with an A13 Bionic chip, an 8-megapixel wide-angle rear camera, a 12-megapixel ultrawide front camera with Center Stage technology and more. The Retina display has been upgraded from previous models and now has True Tone technology, which adjusts the screen for comfortable viewing in any light. 

It also features a Lightning connector and gets up to 10 hours of battery life per charge. Plus, the 2021 iPad supports the first-gen Apple Pencil and Smart Keyboard, which are sold separately, but can help you create and work with ease and may be worth the investment. 

And if you are worried that 64GB of storage may not be enough for your pictures, videos or other projects or media, remember that Apple offers plenty of ways to increase your storage if you are willing to use cloud services like the company's own iCloud option or apps like Dropbox and Google Drive, so that storage size shouldn't limit what you can do on your iPad. And springing for the smaller size will save you a lot of money down when compared to the larger 256GB model, which starts at $479 at the Apple Store.

CNET's Scott Stein wrapped up his review of this iPad by saying, "I think the basic unexciting iPad wins out. Especially for the price." He awarded it an Editors' Choice.


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ExpressVPN Is a Case Study in Why VPN Reviews Require More Legwork


ExpressVPN Is a Case Study in Why VPN Reviews Require More Legwork

Two members of Congress have called on the Federal Trade Commission to tackle a digital threat that privacy watchdogs have been concerned about for years: Virtual private network companies continue to profit from rising surveillance fears by advertising largely unverifiable promises not to log users' online activity.

In their July letter, Democrats Rep. Anna Eshoo, of California, and Oregon Sen. Ron Wyden address what may finally be a tipping point in the fight for VPN transparency -- more abortion-seekers are now turning to VPNs for protection while risking imprisonment in pursuit of life-saving health care. The letter's concerns about VPNs include the following, some of which are also issues ExpressVPN has publicly dealt with, and all of which are issues affecting how VPNs are reviewed. 

First, ethically dubious VPN companies armed with outsized advertising budgets often fund glowing faux-reviews disguised as unbiased consumer advice. Even among editorially independent reviewers, though, properly testing a VPN already means grappling with the complexities of not just encryption tech but the industry's overall resistance to investigation. This muddies the waters for consumers and may potentially conflict with US advertising regulations. 

Second, VPN tech and the VPN industry are both opaque. VPN companies serve customers in countries with anti-VPN laws, so sometimes they have servers discreetly placed in those countries. VPN owners often hide their true identities with legal sleight-of-hand in off-shore company shell games. These are two common industry practices. In the best cases, these practices may protect a good VPN from a government takedown. In the worst cases, these practices can allow a VPN to become a business front for government surveillance (a honeypot). Either way, these practices are profitable and make it impossible to fully vet a VPN independently.

These issues are important because a low-quality VPN review from a popular website could land a trusting reader in jail or worse. 

Read more: With Roe v. Wade Overturned, Your Abortion Searches Could Be Used to Prosecute You

Since my last review, NSA whistleblower Edward Snowden issued a tweet telling users to abandon ExpressVPN because ExpressVPN CIO Daniel Gericke was cooperating with the FBI in an unrelated DOJ investigation. Immediately following the DOJ news, a London-based parent company that used to sell ad tech (and is backed by a billionaire previously jailed for insider trading) bought ExpressVPN for $936 million. Many reviewers warned users away from ExpressVPN. I almost did too. But instead, I spent several months methodically investigating the service and its parent company. I still recommend it to privacy-critical users. But that isn't the point of this commentary. 

The point of this commentary is that Congress is calling for investigation into the VPN industry and -- given the above paragraphs' content -- I am also calling for VPN reviewers to do better at investigating the VPNs they review. ExpressVPN's story is a case study on how reviewers like me can do this better. 

Read more: How We Test VPNs

Kape's evolving business model

When ExpressVPN first announced that it was being bought by London-based Kape, our biggest concern was that the VPN would be forced to share customer registration data with Kape -- outside of the VPN's privacy-protective British Virgin Islands jurisdiction -- as other Kape subsidiaries' policies allow. I've repeatedly reached out to Kape for comment without response, but there are still a few ways we can define the relative range of risk Kape poses to ExpressVPN's privacy integrity. 

First, ExpressVPN's own repeated public assertions of continued operational independence from Kape are somewhat self-affirming; they indicate Kape isn't making moves to silence its new VPN. ExpressVPN's statements also gain more weight as it raises the stakes for its own -- and Kape's -- public image by being a loud voice in the i2Coalition's continued calls for transparency in the VPN industry.  

Kape's revenue incentives have shifted as well -- from ad-tech dollars based on its previous CrossRider product, to a booming privacy market that Kape expects to grow 17% a year. That shift has paid off for Kape with an 89% revenue spike from $122 million in 2020 to $231 million in 2021. Within that increase, privacy product revenue jumped 30% and accounted for $117 million -- about half of overall revenue. Security-related revenue rose by 18% when Kape-owned Intego antivirus revenues surged 20%. And Kape's digital content profits -- which came entirely from the acquisition of Webselenese in March 2021 -- reached $88 million by year's end, representing 53% year-over-year growth for Webselenese. 

Read more: What is Kape Technologies? What you need to know about the parent company of CyberGhost VPN

"100% of Kape's revenue comes from subscription services or online content publishing; 0% of revenue comes from ad serving. Digital privacy and security accounted for 73.5% and 26.5% of its FY2020 revenue respectively. Since 2016, Kape has not earned a single dollar of revenue from ad-tech or any other aspect of the former Crossrider platform," Kape said in a September 2021 release. 

While the release isn't enough to hang a hat on, its sentiment was echoed in March when Kape CEO Ido Erlichman filed the company's 2021 wrap-up, touting 20% organic customer growth and a VPN-driven 260% increase in paying subscribers, for a total of 6.5 million subscribers. 

Kape, Erlichman said, is "one of the sole players wholly focused on digital privacy, and without any monetisation from any customer data."

Kape projects revenues will hit $610 million to $624 million at the end of 2022 -- more than double last year's revenue. 


Kape's year-end investor presentation from March 2022 details the company's revenue sources, including areas of anticipated growth in the privacy and security sectors.

Kape Technologies

There aren't any former Crossrider execs left in Kape's C-suite to hear the good news but there are still some familiar faces, including Teddy Sagi. The billionaire, who was convicted of insider trading in 1994, held a 54.3% controlling share in Kape as of its January holdings statement, a slight uptick from December -- when he put $60 million worth of loans on the table for Kape. That's down from his 60.5% holding before ExpressVPN was bought. That $60 million might hold a lot of sway, but it's not enough to keep Kape on Sagi's leash now that Kape's got a boosted debt facility of $290 million from the Bank of Ireland, Barclays, Citibank and others. 

ExpressVPN co-founders Peter Burchhardt and Dan Pomerantz got $237 million worth of shares in the $936 million purchase, landing them a collective 13.6% share of Kape. Both are staying on with Kape, managing ExpressVPN's operations. Burchhardt also got the right to appoint a non-voting board member for the foreseeable future -- or so long as ExpressVPN accounts for at least 5% of Kape's earnings. 

With an average growth rate of 35.1% over the past four years, ExpressVPN is unlikely to fall short. In 2020, it pulled down $279.4 million in revenue -- a 37% jump from 2019. Along with a slate of hardware partnerships, the company brought 290 staffers into the Kape fold, 48% of whom are the R&D engineers Kape said it needs. About $30 million worth of "synergy" cuts are coming as backroom ExpressVPN staff get folded into Kape's. Most crucially, though, are the 3 million subscribers Kape got with the ExpressVPN purchase, bringing Kape's retention rate to 81%. 

That 81% is the key number here. Kape says 92% of its revenue is recurrent. With Kape no longer relying on ad tech dollars, the tent-post revenue strategy is cross-product subscriptions targeting current users, 30% of which are already in their third year of using a Kape product. 

Good press is hard to find, but easy to buy  

How is Kape going to target those customers for retention? Through a journalistic conflict of interest.  

As noted above, Kape also now owns Webselenese, a platform for two no-longer-independent VPN review sites, vpnMentor.com and Wizcase.com. Kape bought the platform for $155.1 million per its full-year filing in March 2021. Webselenese's "integration" grew Kape's audience size by 62% with 105 million readers.

"Webselenese's mission is to provide honest and unbiased information via its well-regarded websites," Kape said in its March buying statement. "Its team of researchers extensively research and test every product before reviewing and recommending it, in doing this, Webselenese only recommends products and services that its writers would use themselves."

Sudden changes to VPN rankings on vpnMentor.com and Wizcase.com suggest otherwise. As noted by more reviewers that I can link to, both sites dropped NordVPN and Surfshark from their top-three picks following the Kape buyout, replacing them with Kape-owned Cyberghost and Private Internet Access. 

Read more: Why you should be skeptical about a VPN's no-logs claims

To that end, it certainly appears that Kape is following in the footsteps of other digital giants by self-dealing -- guiding otherwise unaware readers to its own in-house products and services. And it's paying off: In a July 2021 trading update, Kape said buying Webselenese led to "reduction in average customer acquisition cost." By March 2022, Webselenese's revenue was up 53%. And Kape's digital content profits accounted for the largest chunk of Kape revenue. 

That's the irony of Kape's evolving business model: Unlike the CrossRider days, the monetization of data now appears to be more of a liability than an asset. If you look at the transparency in ExpressVPN's audited tech, it's easy to see the most obvious incentive Kape would have to preserve the integrity of its flagship VPN: Any per-person data set the VPN would be able to gather on Kape's behalf would be embarrassingly incomplete compared with the finely polished and hypertargeted per-person data sets offered in a bullish market of invasive data brokers. Likewise, selling that customer data would expose Kape's highest-performing new VPN (its entire portfolio, really) to dangerous market competition, destabilizing Kape's overall subscriber retention rate while the company still carries a truckload of debt.

After all, why risk the reputation of your crown jewel privacy product when it's far more profitable to own an advertising machine that poses as an independent consumer technology review site? 

Read more:  VPN FAQ: What you need to know about the basics of virtual private networks

Who reviews the reviewers? 

While prudent reviewers who waved readers off ExpressVPN in the past few months no doubt intended to offer "better safe than sorry" counsel, there's a risk of creating the opposite effect if you issue uncritical calls to abandon ship based on uncertain new ownership or yet-unseen US government VPN interference. Just as dangerous are uncritical calls to stay the course, even as red flags begin appearing. Whether panning or praising ExpressVPN, neither of those uncritical calls take seriously the privacy needs of a growing number of vulnerable people who are new to privacy tools. 

VPN users who need safety from local-level law enforcement and ISP data collection aren't limited to exiled ex-spies, international criminals or UAE-surveilled human rights activists. They're everyday users who walk among us, and we have to stop dismissing their privacy needs as though they are the demands of paranoid outliers. Period.

Read more: Casual vs. Critical: When Your VPN Is a Matter of Life or Death, Here's How to Pick One

Not every surveillance state shares intelligence with the US, nor is there evidence that the US' surveillance apparatus -- vast though it may be -- is omniscient. ExpressVPN's hard-tested security, sprawling global infrastructure and flexible protocols allow its 3 million users to get potentially lifesaving information past law enforcement in countries where other VPNs falter. You can't account for every countries' broadband infrastructure quality, political restrictions, and local intelligence gathering capabilities -- but if any VPN is up and running in one of the world's tight spots, you can almost bet it's going to be ExpressVPN. 

Shooing these users away from what may be their only locally reliable VPN doesn't help privacy-critical VPN users whose own political concerns don't include being targeted by the US federal government -- such as everyday users in China and Russia. 

Nor does it help users in US states (where half of ExpressVPN users register) who lack federal protection while trying to survive dangerous state restrictions -- like abortion seekers in my own state of Kentucky. Add to that list all the gay kids on conservative college campus networks, abuse victims seeking escape, workers organizing labor unions and people working in one state's legal cannabis industry while living in another, anti-cannabis state. The list goes on. All of them are privacy-critical users, and I recommend they use ExpressVPN.

As always, that recommendation could change in an instant, in the event of a security breach, a privacy violation, an unexpected change in corporate policy or a savvy rival that ends up outgunning Express in terms of value or technology. But until it does, I'm offering my recommendation to use it, right along with a maxim that once hung on the wall of the City News Bureau of Chicago: 

If your mother says she loves you, go check it out.


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Your MacBook Trackpad Has an Annoying Setting You Need to Change


Your MacBook Trackpad Has an Annoying Setting You Need to Change

Having unboxed and set up many MacBooks over the past 15 years, there's one settings choice that drives me absolutely crazy. So if you're buying a new MacBook or want to make your current one a little more useful, you should try clicking a few boxes in the System Preferences menu that always make these machines much more useful. 

This trick will work in everything from the 14-inch and 16-inch MacBook Pro to the new M2 13-inch MacBook Pro to the upcoming M2 MacBook Air, as well as older MacBooks. 

One of the best things about MacBooks has always been the huge glass trackpad, which always felt more responsive and offered more surface area than the touchpad on most Windows laptops. The difference has narrowed over the years, but it's still hard to beat a Mac trackpad. However, it makes me nuts to see (and hear) people clicking down on their touchpads to do anything. Guess what? These touchpads haven't physically depressed when clicked on for years. Instead a clever bit of haptic feedback makes it feel like you've clicked down. 

screen-shot-2021-10-28-at-12-09-57-pm.png

Turn this on, even if you're not going to use it all the time. 

Dan Ackerman/CNET

Windows laptops have long been set up for tap-to-click, which means a simple tap of your finger works the same way as a left mouse button (or ancient touchpad button) click would. A two-finger tap is the equivalent of a right mouse button click. 

Read moreMake the Most of iOS 15's Hidden Tricks

But every time I set up a new Mac, I spend several minutes vainly tapping on things with no effect, because MacOS has tap-to-click turned off by default. Why? I'm assuming it's just to make my life more difficult. Fortunately, it's easy to fix. And if you're a determined clicker and have no intention of becoming a tapper, that's OK -- change these settings and you can still click away, but now the tapping will work, too. 

screen-shot-2021-10-28-at-12-10-28-pm.png

The super secret hidden tap-and-drag settings menu. 

Dan Ackerman/CNET

As a bonus, while we're doing this we're going to turn on both ExposĆ©, which is a very useful multifinger gesture, and tap-and-drag, which is a much easier way to move things like folders around on the screen. 

Fix Apple's dumb default touchpad settings:

  • System Preferences > Trackpad > Point & Click > Check the checkbox for Tap to click (which is unchecked by default). 
  • System Preferences > Trackpad > More Gestures > Check the checkbox for App ExposĆ© (fifth checkbox from the top).
  • System Preferences > Accessibility > Pointer Control > Trackpad Options > Check the checkbox for Enable dragging (without drag lock).

That's it, your MacBook is now set up in a logical way. 


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2020 Kia Forte GT: Good-looking affordable fun


2020 Kia Forte GT: Good-looking affordable fun

1 of 39 Emme Hall/Roadshow

3 of 39 Emme Hall/Roadshow

A 1.6-liter turbocharged I4 engine with 201 horsepower and 195 pound-feet of torque gets the GT moving. That's a pretty significant increase over the 147 hp and 132 lb-ft available in other Forte models,

4 of 39 Emme Hall/Roadshow

5 of 39 Emme Hall/Roadshow

6 of 39 Emme Hall/Roadshow

The GT gets a new multilink rear suspension, replacing the standard Forte's torsion-beam setup and making the GT a much more competent performer than any other Forte.

7 of 39 Emme Hall/Roadshow

Forward-collision warning, lane-departure warning and a driver attention monitor are standard, but blind-spot monitoring, rear cross-traffic alert and adaptive cruise control are all pay-to-play options. 

8 of 39 Emme Hall/Roadshow

The Kia Forte GT with the dual-clutch transmission gets an EPA fuel rating of 27 miles per gallon in the city, 35 mpg highway and 30 mpg combined.

9 of 39 Kia

The cabin isn't full of plush leather or anything like that, but there are a few interesting design elements like red accents, a soft texture pattern on the doors and some brushed aluminum along the dash.

10 of 39 Emme Hall/Roadshow


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Marvel's VFX Artists Are Suffering -- and Starting to Speak Out


Marvel's VFX Artists Are Suffering -- and Starting to Speak Out

Thor: Love and Thunder  director Taika Waititi makes interviews look fun. During the long and often tedious press tour filmmakers endure to promote their latest films, Waititi brought his trademark laid-back goofiness to a video in which he breaks down a scene. Only, this time, it backfired. Almost offhandedly, Waititi questioned whether a character named Korg, a CGI rock creature he also played, looked "real." "Do I need to be more blue?" he asked.

The comment launched headlines. Waititi, the director, appeared to cruelly mock his own film's VFX work -- work painstakingly toiled over across hundreds of hours by visual effects artists. It got worse. At the same time, severalReddit threads surfaced, charting the harsh experiences of effects artists who worked on Marvel projects as far back as 2012.

Chris Hemsworth and Taika Waititi in suits standing in front of a poster for Thor: Love and Thunder

Chris Hemsworth and Taika Waititi at the Sydney premiere of Thor: Love And Thunder.

Photo by Lisa Maree Williams/Getty Images

"Working on Marvel projects ends up being incredibly stressful, and this is a widely known issue throughout the VFX industry, it's not specific to any one VFX house," a person who worked on Marvel projects and wished to remain anonymous, told CNET via email. Industry standards dictate a strict policy of not speaking to the press.

Marvel and Disney didn't immediately respond to a request for comment.

Visual effects artists are in more demand than ever, servicing abundant productions from Marvel, Warner Bros., Sony and more. VFX studios secure work by placing a bid based on the number of shots a studio requests. Competition can be aggressive. While a low bid might win, the actual workload the shots amount to can vary dramatically.

"You bid on a number of shots and hope that on average they don't end up being too complicated or difficult, or that the client gets too caught up in minor details and keeps sending shots back for more work," said Peter Allen, an animator and VFX artist and former lecturer in film and television production at the University of Melbourne.

The work is contracted to a VFX house at a set price. An effects artist might manage grueling hours to meet hard release dates but work overtime unpaid. If the final product fails to satisfy audience expectations, VFX artists often take the blame.

"As a visual medium, visual effects are among the easiest targets for fans to pick apart, especially if there are leaks or early releases of unfinished shots," Allen said. Cats and Sonic the Hedgehog are recent examples.

She-Hulk, looking perturbed

The upcoming She-Hulk has already drawn criticism for the CGI look of its hero.

Marvel Studios/Screenshot by CNET

With an avalanche of new projects lined up in the next phases of the Marvel Cinematic Universe -- a seemingly never-ending stream of content -- effects artists have been coming under intensifying strain. Ms. Marvel, She-Hulk and Thor: Love and Thunder are the latest to weather criticism about underwhelming superpower effects.

But now, the artists vital to Marvel's storytelling are speaking out. Sick of bearing the brunt of visual effects criticism, tired of punishing working conditions, VFX artists are demanding change.

Unless the industry can make fundamental improvements, Marvel could have a problem on its hands.

An infamous client

Even before the public Reddit threads, insider stories and viral tweets, Marvel had a reputation for pushing VFX artists to the brink. Forget 38-hour weeks. One source described working 60 to 80. This lasted "multiple months in a row."

The toll was brutal. "I've had to comfort people crying at their desks late at night from the sheer pressure involved, and routinely had colleagues call me having anxiety attacks," the effects artist said. "I've heard personally from many artists that they ask to avoid Marvel shows in their future assignments."

Another VFX artist, who also wished to remain anonymous, described harsh conditions that extended beyond the Marvel machine.

"I have worked on several projects for Marvel and other tentpole films," the effects artist told CNET. "For many years, I did work long hours, mostly unpaid. No longer. At no time do I work for free, nor will I work an all-nighter for a perceived emergency."

Some kind of magical realm in Marvel's Doctor Strange in the Multiverse of Madness.

Sequences underwent late changes in Doctor Strange in the Multiverse of Madness.

Marvel Studios

One effects artists boils Marvel's problems down to three major issues: a demand to see near-complete work much earlier in the process compared to other clients; high-pressure environments leading to burnout and low morale; and lower budgets squeezing out more experienced, more expensive workers from future Marvel projects.

Even after shots are exhaustively delivered, Marvel is allegedly "infamous" for requesting "tons of different variations" until one earns the green light. It doesn't end there. More changes to a production often come late in the game, potentially weeks out from release, resulting in an endemic practice of working overtime. The latest Doctor Strange flick, for example, underwent late changes to sequences involving VFX.

"We've literally made up entire third acts of a film, a month before release, because the director didn't know what they wanted," one source said about Marvel in general. "Even Marvel's parent Disney is much easier to work with on their live-action films."

Could VFX houses push back? Not if they want to risk financial loss. In 2013, Rhythm & Hues, the acclaimed VFX house that worked on The Lord of the Rings and Life of Pi -- which won the Oscar for best visual effects -- filed for bankruptcy. It was the last major independent VFX studio in Los Angeles. Moving Picture Company, an effects house that worked on Spider-Man: No Way Home, reportedly announced in July that it would be freezing pay rises this year.

Marvel, providing a seemingly endless source of work, is a lucrative client. "Marvel has multiple blockbusters in a row, and studios that displease them risk losing out on tons of work," said one effects artist. "So they don't push back as much as they would with other clients."

The size of Marvel allows it to secure bargain effects work, to "string along" a studio or move on to the next best bidder. Yet, for some, working on Marvel projects is no different from any other big action film. It's about managing expectations.

Pi and a tiger on a boat

The VFX studio behind Oscar-winning Life of Pi went bankrupt.

Fox 2000 Pictures

Balance

Not all VFX gigs are an overwhelming slog. Not even with Marvel.

"My experience working on the one Marvel film was pretty much the same as any other film," another artist told CNET. They said that, while the workload was high, the deadlines "were the same as any other action film."

Another VFX artist believes the onus is on the effects houses to stand up for their workers, to "pay overtime" and "manage expectations," both with clients and artists.

"The blame is on the VFX studios, not the client -- Marvel or otherwise."

Yet less established VFX houses might lack the influence to shield artists from the "crazy" schedules Marvel could impose. One solution to this power dynamic has already started to unfold.

A decade ago, visual effects artists were part of one of the "largest non-unionized sectors in showbiz," according to a Variety report. Since then, VFX unions such as the International Alliance of Theatrical Stage Employees have attempted to organize visual effects artists.

"Employees unionizing would dramatically change how VFX houses bid shows because they can't simply dump the poor choices onto their employees," one effects artist said. "It makes sure employees can't be pushed around as easily."

Animation artists, for example, can unionize in their respective workplaces with the help of the Animation Guild. The organization acts as an advocate for its members over wage disputes and more between employees and employers. Major studios such as Dreamworks and Walt Disney Animation Studios -- as well as Marvel Animation -- employ artists covered by the guild.

The time could be right for making unionization happen for effects artists, VFX artist Allen said. "Right now, there's high demand for staff so there is an unusual opportunity for those staff to organize since production companies really need them."

But this solution isn't as easy as snapping one's fingers. Outsourcing, or using ununionized workers, is another way for studios to cut costs. "Many studios will bring in people on work visas with the promise of long-term employment," one effects artist said. The studios then leave the employee "dangling."

Still, signs could be positive for effects artists. Other production workers, including staff in IT and logistics, have been successful in joining the Animation Guild, which "used to be for artists only," Allen says. For VFX professionals, traditionally viewed as craftworkers rather than artists, this could be an "interesting development."

"But individual workplaces have to agree to unionize, it's not an automatic protection for all workers."

Thor holding Mjolnir glowing blue, like his eyes

Chris Hemsworth as Thor in Thor: Love and Thunder.

Marvel Studios/YouTube

The Marvel effect

One effects artist believes the onus is still on Marvel to enact its own changes. It could come down to greater training for its directors on the VFX process.

"Marvel's directors are often inexperienced with the VFX process, both on set and after," an effects artist said.

If the director happens to prefer longer takes, it can "dramatically" increase the workload on artists, Allen said. Not only are there more frames to create effects for, but the longer the effect is on screen, the more precise they have to be. "Shorter shots mean you can cut a few corners."

The effects artist said Marvel must stop believing "VFX gives [it] infinite room to change things." They said Marvel must work with its directors to reduce the number of iterations in the VFX process. "With training -- with clearer, more 'decisive' visualization provided to directors early in the process -- everyone could be on the same page." 

Then, maybe, no one would have their work come under fire during press tours.


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Acer's latest Spin 5 2-in-1 courts widescreen haters


Acer's latest Spin 5 2-in-1 courts widescreen haters

This story is part of CES, where CNET covers the latest news on the most incredible tech coming soon.

There seems to be a growing contingent of laptop users out there fed up with 16:9, wide-screen displays because that's just not an aspect ratio that's great for productivity. If this is you, Acer's new Spin 5 and its 2K-resolution, 13.5-inch touchscreen with its 3:2 ratio might be the answer. 

Available in June starting at $899 (about £685 or AU$1,295), the Spin 5's taller 2,256x1,504-pixel display gives you much more vertical space for documents and spreadsheets. It also makes it a little less awkward to use handheld in tablet mode. Plus, it weighs only 2.7 pounds (1.2 kilograms) and Acer includes a Wacom AES 2.0 active stylus for drawing and writing on the screen. 

The rest of the Spin 5 is pretty much what you'd expect in a premium two-in-one this size including a 10th-gen Intel Core i7 processor, Iris Plus integrated graphics, up to 1TB NVMe PCIe SSD storage, Thunderbolt 3 ports and Wi-Fi 6. 

acer-spin-3-2020

Acer Spin 3

Acer

If you're just fine with having a 16:9 display, though, Acer's Spin 3 will be available in April starting at $700. Its hardware and parts make it more of a mainstream pick compared to the Spin 5, but you you'll still find 10th-gen Intel Core i5 processors, Iris Plus graphics and Wi-Fi 6 -- and it's all built around a 14-inch 1,920x1,080-pixel touchscreen. 


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How the PC industry killed the ultrabook


How the PC industry killed the ultrabook

commentary Well, it was fun while it lasted.

The personal computer industry backed a promising candidate in the ultrabook concept, convincing even a skeptic like myself that a new class of superslim, superlight laptops was the key to exciting consumers. Ultrabooks were well on their way to becoming the PC form factor of the future.

And now, it's already over.

In record time -- something less than six months -- the ultrabook term has become so overused and amorphous that it's well on its way to being useless.

Liberal terminology
The first major examples of this new ultrabook rift are two laptops we recently reviewed. The HP Envy 14 Spectreand the Samsung Series 5 Ultra are both 14-inch laptops pitched as ultrabooks. The idea of bringing the ultrabook concept to larger laptops is a reasonable one -- the initial wave of ultrabooks were all 13-inch systems -- but they need to be nearly as thin and lightweight as the 13-inch models.

Instead, both the HP Spectre and Samsung Series 5 Ultra weigh a hair under 4 pounds, about a full pound more than a 13-inch MacBook Air. Both are also about one-tenth of an inch thicker. That may not sound like much, but when less than an inch is your baseline, it makes a noticeable difference in the feel of the laptop in your hand.

The biggest deviation from the ultrabook model to date is the 14-inch Samsung's use of a standard 500GB platter hard drive. The ultrabook platform is supposed to be built around faster, lighter solid-state drives (SSDs), and Samsung includes a tiny 16GB SSD as a secondary drive, which allows it to meet the letter, if not the spirit, of the ultrabook specifications. This system also includes an optical drive, which is another difference from previous ultrabooks.

It's relatively thin and light, but should it be an ultrabook? CNET

What you end up with, especially in the case of the Series 5 Ultra, is a perfectly fine midsize, mainstream laptop that can stand toe to toe with anything similar in the $850-$950 range. If we had seen it eight months or a year ago, our initial impression would be, "Wow, that's a pretty thin 14-inch laptop."

But today, there's absolutely nothing about it that says "ultrabook," which is bad news for this promising new category.

The origins of ultrabook
So, what is an ultrabook supposed to be, anyway?

Seeing the success of Apple's MacBook Air, Intel and PC manufacturers wanted to find a way to replicate it for Windows-based consumers in systems that could be sold at a reasonable price. The idea was pitched as an entirely new laptop category, although the name "Ultrabook" was a trademarked Intel marketing term, and the systems that were going to use it had to meet a series of Intel-set system requirements.

In fact, Intel even set aside $300 million to help PC makers develop these new systems, saying in August 2011 that it would "invest in companies building hardware and software technologies focused on enhancing how people interact with Ultrabooks such as through sensors and touch, achieving all-day usage through longer battery life, enabling innovative physical designs, and improved storage capacity."

The $799 Toshiba Z835. CNET

From that original big idea, and the subsequent challenge Intel presented to PC makers, came the first generation of laptops to use the ultrabook name. These systems, from companies such as Acer, Lenovo, Toshiba, and Asus, came off very well in our initial reviews and we were surprisingly impressed with the platform, especially as prices declined, offering buyers systems with 128GB SSD drives for as little as $799.

Ultrabooks 2012: From noteworthy to no big deal
But a few months ago, at CES 2012, I warned that the road ahead looked foggy, saying: "The ultrabook is in danger of being oversold by both Intel and industry watchers overeager to get behind the Next Big Thing."

And that seems to be exactly what is happening here. The ultrabook idea was a hit. It even seemed to have high name recognition with CNET readers, who would e-mail us with specific questions about which ultrabook they should buy. Now, everyone's rushing to join the bandwagon and the bigger 14- and even 15-inch ultrabooks hitting stores feel like they dilute the concept far too much.

For an example of this kind of branding done right, think back to the early days of wireless networks, when Intel's Centrino name meant that a laptop was able to connect to Wi-Fi and do most of the other networking things you needed it to, without you having to delve too deeply into the spec sheet.

In this case, instead of looking for an Intel ultrabook sticker on a laptop and knowing that it's going to be very thin, very light, rely on SSD storage, boot quickly, and run for a long time on a battery charge, now consumers will have to go back to checking the size and weight specs carefully.

How is that helpful for anybody?

Expect to see more laptops that look like this. CNET

The ultrabook is dead; long live the new laptop order
But the ultrabook, as originally presented, is still an idea whose time has come. Apple's MacBook Air proved that consumers could live without optical drives and large-capacity hard drives, and valued long battery life and portability over ports and connections (in that sense, systems such as the Dell Adamo were ahead of their time). Also, ultrabook branding is certainly not going away anytime soon, and we'll all see dozens of new ultrathin laptops both with the ultrabook label and without during the rest of 2012.

The real long-term victory is that the ultrabook is rewriting what it means to be a mainstream laptop. By this time next year, I find it hard to believe that any midprice, midsize laptop won't be well under 1 inch, and closer to 3 pounds than 4 or 5. Optical drives will continue to fade away, as will dedicated Ethernet jacks (although I'm still convinced you'll eventually need one in a pinch). If you're a PC maker and most of your future laptops aren't at least trending toward ultrabooks and the MacBook Air, you simply won't be in the game.

So, yeah: I'm no longer sure what "ultrabook" means anymore. But if most future laptops are going to be thinner, lighter, and faster -- whether or not they get an Intel-approved sticker -- maybe that's not such a bad thing.


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Will Diablo II: Resurrected run on your laptop?


Will Diablo II: Resurrected run on your laptop?

In a break from recent high-concept, high-flash games such as Deathloop or Ratchet & Clank, Diablo II: Resurrected is delightfully retro in spirit and practice. It's a nearly 1:1 remake of the original Diablo II, first released for PCs and Macs in 2000. The game is so faithful to the original that you can flick the enhanced graphics on and off at will without missing a beat. 

At first, I didn't love that concept. In a heated Slack convo a few weeks ago, I argued, "There's a difference between a remake that creates a new, original work -- like Scarface (1932) vs. Scarface (1983) -- and something like Gus Van Sant's lazy shot-for-shot Psycho (1998) remake." After playing a bit in both the beta and final version game, I've come to appreciate Resurrected's retro pleasures, although a game from 20 years ago is going to feel dated no matter what. 

Diablo II: Resurrected feels like it could be a perfect Apple Arcade game, or a fun, casual game for regular work-from-home laptops. In practice, the required PC specs are reasonable, but not as flexible as something like Fortnite, which can run (if roughly) on your non-gaming laptop's integrated graphics. 

Instead, the published specs for Diablo II: Resurrected are as follows:

Diablo II: Resurrected required specs


Minimum requirements Recommended specs
OS Windows 10 Windows 10
CPU Intel Core i3-3250 or AMD FX-4350 Intel Core i5-9600k or AMD Ryzen 5 2600
GPU Nvidia GTX 660 or AMD Radeon HD 7850 Nvidia GTX 1060 or AMD Radeon RX 5500 XT
RAM 8GB 16GB

Note there are no system specs listed for Macs. Even though the original Diablo II was popular on Macs for many years, the new version is PC-only (plus Xbox, PlayStation and Switch, of course). If you're looking to try the old 2000-era game on your Mac, Blizzard has instructions here. 

That's too bad, because I think this game would have been perfect for a 24-inch iMac, and I've been able to play games like Baldur's Gate 3 and Hades perfectly fine on an M1 MacBook Air

You're also out of luck if you're trying to play on a laptop without a dedicated Nvidia or AMD graphics card. The game does not support even Intel's better Iris GPUs. In most cases, it'll simply refuse to launch, as noted by many beta testers in the game's beta forums. 

I tried my luck on three Windows PCs. On a desktop with an Intel Core i7-6700 and a single Nvidia 1080 GPU, it ran great, even at 4K resolution (yes, it was hooked up to my TV). Also great was a gaming laptop with an Intel Core i7-8750 and a Nvidia 2080 Max-Q GPU. But a Dell XPS 13 with an Intel Core i7-1065G7 and Intel integrated Iris Plus graphics was a no-go. The game would simply pop up an error message when I tried to launch it. On the same Dell, I was able to download and play Diablo 3 on it perfectly fine. 

The lowest-end compatible Nvidia GeForce 660 GPU is about 10 years old at this point, and technically it's still faster than the best integrated Intel Iris Xe graphics, although only by a little. Most laptops, even high-end ones, don't include dedicated Nvidia or AMD graphics hardware, unless they're intended for gaming or creative work. 

That means that even if you're an old-school Diablo II fan, one who's been waiting years to get back into the fight, Diablo II: Resurrected probably isn't going to run on your work-from-home laptop. Fortunately, you can always play it on a console instead. 


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Twitter could cut back on hate speech with suspension warnings, study says


Twitter could cut back on hate speech with suspension warnings, study says

Since Twitter launched in 2006, it's become a giant networking event, bar hangout, meme-generator and casual conversation hub stuffed into one. But for every 280-word-long timely news update and witty remark, you'll find a violent, hateful post.

Among the crew of experts strategizing to disarm the dark side of Twitter, a team from New York University ran an experiment to test whether warning accounts that hate speech will result in suspension is a functional technique. Turns out, it could be pretty effective.

After studying over 4,300 Twitter users and 600,000 tweets, the scientists found warning accounts of such consequences "can significantly reduce their hateful language for one week." That dip was even more apparent when warnings were phrased politely.

Hopefully the team's paper, published Monday in the journal Perspectives on Politics, will help address the racist, vicious and abusive content that pollutes social media. 

"Debates over the effectiveness of social media account suspensions and bans on abusive users abound, but we know little about the impact of either warning a user of suspending an account or of outright suspensions in order to reduce hate speech," Mustafa Mikdat Yildirim, an NYU doctoral candidate and the lead author of the paper, said in a statement. 

"Even though the impact of warnings is temporary, the research nonetheless provides a potential path forward for platforms seeking to reduce the use of hateful language by users."

These warnings, Mikdat Yildirim observed, don't even have to come from Twitter itself. The ratio of tweets containing hateful speech per user lowered by between 10% and 20% even when the warning originated from a standard Twitter account with just 100 followers -- an "account" made by the team for experimental purposes.

"We suspect, as well, that these are conservative estimates, in the sense that increasing the number of followers that our account had could lead to even higher effects...to say nothing of what an official warning from Twitter would do," they write in the paper.

At this point you might be wondering: Why bother "warning" hate speech endorsers when we can just rid Twitter of them? Intuitively, an immediate suspension should achieve the same, if not stronger, effect.

Why not just ban hate speech ASAP?

While online hate speech has existed for decades, it's ramped up in recent years, particularly toward minorities. Physical violence as a result of such negativity has seen a spike as well. That includes tragedies like mass shootings and lynchings.

But there's evidence to show unannounced account removal may not be the way to combat the matter.

As an example, the paper points out former President Donald Trump's notorious and erroneous tweets following the 2020 United States presidential election. They consisted of election misinformation like calling the results fraudulent and praise for rioters who stormed the Capitol on January 6, 2021. His account was promptly suspended.

Twitter said the suspension was "due to the risk of further incitement of violence," but the problem was Trump later attempted to access other ways of posting online, such as tweeting through the official @Potus account. "Even when bans reduce unwanted deviant behavior within one platform, they might fail in reducing the overall deviant behavior within the online sphere," the paper says. 

Twitter suspended President Donald Trump's Twitter account on Jan. 8, 2021.

Twitter suspended President Donald Trump's Twitter account on Jan. 8, 2021. 

Screenshot by Stephen Shankland/CNET

In contrast to quick bans or suspensions, Mikdat Yildirim and fellow researchers say warnings of account suspension could curb the issue long term because users will try to protect their account instead of moving somewhere else as a last resort.

Experimental evidence for warning signals

There were a few steps to the team's experiment. First, they created six Twitter accounts with names like @basic_person_12, @hate_suspension and @warner_on_hate. 

Then, they downloaded 600,000 tweets on July 21, 2020 that were posted the week prior to identify accounts likely to be suspended during the course of the study. This period saw an uptick in hate speech against Asian and Black communities, the researchers say, due to COVID-19 backlash and the Black Lives Matter movement.

Sifting through those tweets, the team picked out any that used hate language as per a dictionary outlined by a researcher in 2017 and isolated those created after January 1, 2020. They reasoned that newer accounts are more likely to be suspended -- over 50 of those accounts did, in fact, get suspended. 

Anticipating those suspensions, the researchers gathered 27 of those accounts' follower lists beforehand. After a bit more filtering, the researchers ended up with 4,327 Twitterers to study. "We limited our participant population to people who had previously used hateful language on Twitter and followed someone who actually had just been suspended," they clarify in the paper. 

Next, the team sent warnings of different politeness levels -- the politest of which they believe created an air of "legitimacy" -- from each account to the candidates divided into six groups. One control group didn't receive a message.

Legitimacy, they believe, was important because "to effectively convey a warning message to its target, the message needs to make the target aware of the consequences of their behavior and also make them believe that these consequences will be administered," they write.

Ultimately, the method led to a reduction in the ratio of hateful posts by 10% for blunt warnings, such as "If you continue to use hate speech, you might lose your posts, friends and followers, and not get your account back" and by 15% to 20% with more respectful warnings, which included sentiments like "I understand that you have every right to express yourself but please keep in mind that using hate speech can get you suspended." 

But it's not that simple

Even so, the research team notes that "we stop short, however, of unambiguously recommending that Twitter simply implement the system we tested without further study because of two important caveats."

Foremost, they say a message from a large corporation like Twitter could create backlash in a way the study's smaller accounts did not. Secondly, Twitter wouldn't have the benefit of ambiguity in suspension messages. They can't really say "you might" lose your account. Thus, they'd need a blanket rule. 

And with any blanket rule, there could be wrongfully accused users. 

"It would be important to weigh the incremental harm that such a warning program could bring to an incorrectly suspended user," the team writes. 

Although the main impact of the team's warnings dematerialized about a month later and there are a couple of avenues yet to be explored, they still urge this technique could be a tenable option to mitigate violent, racist and abusive speech that continues to imperil the Twitter community.


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